Perfume Disco-Graphy : 25 Years of History and Miracles

October 14, 2024

An exhibition featuring Perfume, an artist group celebrating its 25th anniversary in September 2024, was held at Toranomon Hills Station Tower TOKYO NODE. This interactive exhibition recreated Perfume’s groundbreaking live performances, showcasing their remarkable “physicality” combined with cutting-edge technology and stage design. The exhibition was directed by MIKIKO, who choreographs and directs Perfume’s performances. Installations were designed by Daito Manabe and the creative collective Rhizomatiks.

CHAPTER 1 : We are Perfume  
This installation uses approximately 3,600 spheres to depict the silhouettes of Perfume’s three members in an “A-pose.” Multiple lasers project 3D silhouettes, while reflections from mirrored floors and LED lights create mesmerizing visual trails. The lasers move in sync with multi-channel music, delivering a dynamic experience that seamlessly integrates visual and auditory elements.

CHAPTER 2 : Trails and Miracles Synchronization of lyrics and physical expression | Reframe
Music used : All past songs
An exhibition-style installation focusing on “choreography” inspired by song “lyrics,” interwoven with dynamic language. 
A video installation that compiles and analyzes 25 years of Perfume’s choreography and lyrics into a comprehensive database.

Three people in sync | inspired by “FUTURE-EXPERIMENT VOL.01 REDEFINING DISTANCE” (2018)
Music used : FUSION
Perfume’s three members performed remotely from Tokyo, London, and New York, with the live footage broadcast in real-time. Based on this performance, a new work utilizing Volumetric Data was created for the exhibition. The live footage, previously viewable from only one direction, was now presented through a triangular prism projection, allowing for a multi-angled viewing experience. Additionally, lighting synchronized with the venue enhanced the light and shadow effects, offering the audience a deeper sense of immersion.
Synchronization of physical expression and performance | inspired by “Perfume × TECHNOLOGY” presents “Perfume”(2018) 
Music used : Mugenmirai
An interactive artwork that allows the audience to experience the laser effects of Perfume’s 2018 live performance, “Reframe,” from the perspective of the members. Using motion capture technology, laser beams track audience members holding small markers in real time. The light trajectories from the live performance are also recreated, enabling the audience to feel Perfume’s intricate and delicate synchronization.
Synchronization of physical expression and performance | inspired by Perfume LIVE SXSW(2015)
Music used : STORY
This installation, based on Perfume’s performance of “STORY” at SXSW in 2015, offers an interactive experience where visitors can step onto the stage and be composited into a virtual space. Depth information of the visitors is captured by multiple depth cameras, and the data is converted into 3D Volumetric Data, allowing for a new kind of performance that transcends the boundary between the real and the virtual.
Synchronization of physical expression and performance | inspired by Perfume LIVE 2021 Polygon Wave(2021 ) 
Music used : Macaroni
In this installation, the lighting and visual effects used in Perfume’s live performance are recreated to allow visitors to experience it from Perfume’s perspective. Using pre-recorded Volumetric Data of Perfume, when a visitor steps onto the stage, their own shadow projected on the floor suddenly transforms into the shadow of a Perfume member. Regardless of the visitor’s movements, the shadows of Perfume begin to dance.
edge | 25th Anniv. Year Special Live Edition
Music used : edge
The space of GALLERY-B, at a certain time, transforms into a show that fills the entire area with a single track. Presenting a live performance that transcends time in one space is a unique and unparalleled production that only Perfume can achieve. Visitors are overwhelmed by the dynamic flow of time. The experience begins with a countdown and leads into a performance synchronized with the track “edge.”
CHAPTER 3:IMA IMA IMA
Music used : IMA IMA IMA
Perfume’s new song “IMA IMA IMA,” released to mark the group’s 25th anniversary, is premiered for the first time within this space. The installation invites visitors to actively participate in shaping Perfume’s future together with the artists.
The environment is designed to evoke a television music program studio. In the foreground, an interactive control panel equipped with buttons and levers allows visitors to manipulate stage lighting and visual effects in real time. On the display, avatar versions of the Perfume members are composited via AR onto an otherwise empty stage, enabling audiences to experience and enjoy the performance in a new, immersive form.
Perfume Disco-Graphy
25 Years of History and Miracles

Date : August 9 - October 14, 2024
Venue : TOKYO NODE GALLERY A/B/C
Organized by : TOKYO NODE (Mori Building Co., Ltd.)
Credit
Artist
a-chan (Perfume)
KAHIYUKA (Perfume)
NOCCHi (Perfume)

General supervision : MIKIKO (ELEVENPLAY)
Planning, Creative Direction, Technical Direction, Laser, Lighting Design, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
Implementation of the installation : Rhizomatiks
Produce TOKYO NODE


We are Perfume
Planning, Creative Direction, Technical Direction, Laser, Lighting Design, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Object Design, Calibration System : Tatsuya Takemori
Software Engineering : Yuta Asai
Lighting : Momoko Nishimoto
Technical Support : Shintaro Kamijo
Technical Support : Shino Higuchi
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka
Sound Engineer : Hiroyasu Sato (EASTERN SOUND FACTORY CO., LTD.)
Sound Engineer : Hideaki Itoh (EASTERN SOUND FACTORY CO., LTD.)



Trails and Miracles Synchronization of lyrics and physical expression | Reframe
Music used : All past songs
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Visual Programming : Futa Kera
Lighting : Momoko Nishimoto
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Motion Capture Dancer : NON (ELEVENPLAY)
Motion Capture Dancer : SAYA (ELEVENPLAY)
Motion Capture Dancer : SHOKO (ELEVENPLAY)
Motion Capture Dancer : YU (ELEVENPLAY)
Dancer Management : Yoko Shiraiwa (ELEVENPLAY)
Motion Capture Supervisor : Hajime Kotani (Crescent)
Motion Capture Engineer : Yoshitaka Homma (Crescent)
Motion Capture Engineer : Takaya Fukushima (Crescent)
Motion Capture Engineer : Kei Minoura (Crescent)
Motion Capture Engineer : Yudai Terui (Crescent)
Motion Capture Engineer : Koyuki Yamazaki (Crescent)
Volumetric Capture Engineer (Secret Secret / Dream Fighter / One Room Disco) : TOKYO NODE LAB
Data Edit : Shino Higuchi
Data Edit : Tatsuya Ishii
Produce, Project Management, Data Management : Takao Inoue
Production Management, Data Management : Saki Ishikawa
Project Management : Noriko Ishizuka

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Three people in sync | inspired by "FUTURE-EXPERIMENT VOL.01 REDEFINING DISTANCE" (2018)
Music used : FUSION
Planning, Creative Direction, Technical Direction, Sound Effect Design, LED Pattern Design : Daito Manabe (Studio Daito Manabe)
CG Direction : Junichi Ebe
CG Produce : Toshihiko Sakata
Lighting, LED Engineering : Momoko Nishimoto
LED Engineering : Toshitaka Mochizuki
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Technical Support : Shintaro Kamijo
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka

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Synchronization of physical expression and performance | inspired by "Perfume × TECHNOLOGY" presents “Perfume” (2018)
Music used : Mugenmirai
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
Laser Engineering : Yuya Hanai
Lighting : Momoko Nishimoto
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Craft : Toshitaka Mochizuki
Sequence Programming : Shintaro Kamijo
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka

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Synchronization of physical expression and performance | inspired by Perfume LIVE SXSW (2015)
Music used : STORY
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
Software Engineering : Yuya Hanai
Software Engineering : Shino Higuchi
CG Direction : Masahiro Kadokawa (Cuddys Pic)
Notch Engineering : Shuhei Okutani (Cuddys Pic)
CG Design : Ponta Arahiki (Cuddys Pic)
CG Design : CHA2 (trico inc.)
Lighting : Momoko Nishimoto
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Sequence Programming : Shintaro Kamijo
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka

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Synchronization of physical expression and performance | inspired by Perfume LIVE 2021 Polygon Wave (2021)
Music used : Macaroni
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Software Engineering, Visual Programming : Yuta Okuyama
Video Editing, Compositing : Muryo Homma
Lighting : Momoko Nishimoto
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Sequence Programming : Shintaro Kamijo
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa

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History and Miracles │ tribute to Perfume (2017–)
Music used : Polyrhythm
Lighting : Momoko Nishimoto
Technical Support : Shintaro Kamijo
Video Footage Editing : Kana Nogami, Ryo Nishikawa

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edge │ 25th Anniv. Year Special Live Edition
Music used : edge
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
CG Direction : Tetsuka Niiyama (U Ltd.)
CG Design : Shingo Horiuchi (Awaya LLC)
Lighting : Sachiko Matsui (SWEET STUFF GROUP CO., Ltd.)
Lighting, Triangle LED Engineering : Momoko Nishimoto
Lighting Programming : Hiroki Suzuki (SWEET STUFF GROUP CO., Ltd.)
Triangle LED Engineering : Toshitaka Mochizuki
Triangle LED Engineering : Katsuhiko Harada
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Videographer : Muryo Homma
Keying : Shunsuke Osada (Nomad Tokyo)
Keying : Toru Nakahata
Keying : Kenichiro Shimizu (PELE)
Technical Support : Shintaro Kamijo
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka
Video Footage Editing : Kana Nogami
Video Footage Editing : Ryo Nishikawa

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IMA IMA IMA
Music used : IMA IMA IMA
Planning, Creative Direction, Technical Direction, Sound Effect Design : Daito Manabe (Studio Daito Manabe)
Technical Direction : Motoi Ishibashi
Control Device, Hardware Engineering, Software Engineering, Laser Engineering, System Design : Yuta Asai
Control Device, Hardware Engineering : Kyohei Mouri
Control Device, Hardware Engineering : Youichi Sakamoto
Control Device, Hardware Engineering, System Design : 2bit
AR Engineering : Yuya Hanai
Video Engineering : Muryo Homma
Lighting : Momoko Nishimoto
Audio / Sequence : Shintaro Kamijo
Technical Support : Keisuke Kikuchi (Studio Daito Manabe)
CG Direction : Junichi Ebe
CG Design : Yasuhito Takahashi (quino grafix Co., Ltd.)
CG Design : Tetsuro Takeuchi (quino grafix Co., Ltd.)
CG Produce : Toshihiko Sakata
UI Design : Yuki Fujinaga (Cuddys Pic)
UI Design : Shoh Ishiguro (STUDIO 1930 inc.)
4D VIEWS Supervisor : Hajime Kotani (Crescent)
4D VIEWS Engineer : Tadayuki Suzuki (Crescent)
4D VIEWS Engineer : Tatsuhiko Kobayashi (Crescent)
4D VIEWS Engineer : Shunsuke Ohara (Crescent)
Sound Effect Design : Setsuya Kurotaki (NOiR)
Sound Effect Design : HOPEBOX
Produce, Project Management : Takao Inoue
Production Management : Saki Ishikawa
Production Support : Noriko Ishizuka

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"IMA IMA IMA" Art Supervisor : Yusuke Tanaka (CAVIAR)
"IMA IMA IMA" Art Designer : Yui Miyamori (Diamond Snap)